{"id":373,"date":"2022-09-18T09:54:27","date_gmt":"2022-09-18T12:54:27","guid":{"rendered":"https:\/\/litcult.net.br\/luizalobo\/?p=373"},"modified":"2022-09-18T09:54:27","modified_gmt":"2022-09-18T12:54:27","slug":"fabrica-de-mentiras-do-vale-do-cafe-ao-arco-do-triunfo","status":"publish","type":"post","link":"https:\/\/litcult.net.br\/luizalobo\/fabrica-de-mentiras-do-vale-do-cafe-ao-arco-do-triunfo\/","title":{"rendered":"F\u00e1brica de mentiras: do Vale do Caf\u00e9 ao Arco do Triunfo"},"content":{"rendered":"\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"1024\" src=\"https:\/\/litcult.net.br\/luizalobo\/wp-content\/uploads\/2022\/09\/WhatsApp-Image-2022-09-17-at-18.49.45-1024x1024.jpeg\" alt=\"\" class=\"wp-image-374\" srcset=\"https:\/\/litcult.net.br\/luizalobo\/wp-content\/uploads\/2022\/09\/WhatsApp-Image-2022-09-17-at-18.49.45-1024x1024.jpeg 1024w, https:\/\/litcult.net.br\/luizalobo\/wp-content\/uploads\/2022\/09\/WhatsApp-Image-2022-09-17-at-18.49.45-300x300.jpeg 300w, https:\/\/litcult.net.br\/luizalobo\/wp-content\/uploads\/2022\/09\/WhatsApp-Image-2022-09-17-at-18.49.45-150x150.jpeg 150w, https:\/\/litcult.net.br\/luizalobo\/wp-content\/uploads\/2022\/09\/WhatsApp-Image-2022-09-17-at-18.49.45-768x768.jpeg 768w, https:\/\/litcult.net.br\/luizalobo\/wp-content\/uploads\/2022\/09\/WhatsApp-Image-2022-09-17-at-18.49.45-600x600.jpeg 600w, https:\/\/litcult.net.br\/luizalobo\/wp-content\/uploads\/2022\/09\/WhatsApp-Image-2022-09-17-at-18.49.45.jpeg 1496w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n\n\n\n<p>F\u00e1brica de mentiras: do Vale do Caf\u00e9 ao Arco do Triunfo (Rio de Janeiro, 7Letras, 2022), \u00e9 sobre a vida da milion\u00e1ria Eufr\u00e1sia Teixeira e sua fam\u00edlia no cen\u00e1rio de Vassouras e Paris. Terras proibidas (Rio de Janeiro, Batel, 2022), versa sobre o ouro, o Vale do Caf\u00e9, seus bar\u00f5es e escravizados e a vida no Vale do Para\u00edba do Sul.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>F\u00e1brica de mentiras: do Vale do Caf\u00e9 ao Arco do Triunfo (Rio de Janeiro, 7Letras, 2022), \u00e9 sobre a vida da milion\u00e1ria Eufr\u00e1sia Teixeira e sua fam\u00edlia no cen\u00e1rio de Vassouras e Paris. Terras proibidas (Rio de Janeiro, Batel, 2022), versa sobre o ouro, o Vale do Caf\u00e9, seus bar\u00f5es e escravizados e a vida [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":374,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_uag_custom_page_level_css":"","advgb_blocks_editor_width":"","advgb_blocks_columns_visual_guide":"","_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[1],"tags":[],"class_list":["post-373","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-noticias"],"featured_image_src":"https:\/\/litcult.net.br\/luizalobo\/wp-content\/uploads\/2022\/09\/WhatsApp-Image-2022-09-17-at-18.49.45.jpeg","author_info":{"display_name":"Ivan Aguilar","author_link":"https:\/\/litcult.net.br\/luizalobo\/author\/ivan\/"},"author_meta":{"display_name":"Ivan Aguilar","author_link":"https:\/\/litcult.net.br\/luizalobo\/author\/ivan\/"},"featured_img":"https:\/\/litcult.net.br\/luizalobo\/wp-content\/uploads\/2022\/09\/WhatsApp-Image-2022-09-17-at-18.49.45-300x300.jpeg","jetpack_featured_media_url":"https:\/\/litcult.net.br\/luizalobo\/wp-content\/uploads\/2022\/09\/WhatsApp-Image-2022-09-17-at-18.49.45.jpeg","uagb_featured_image_src":{"full":["https:\/\/litcult.net.br\/luizalobo\/wp-content\/uploads\/2022\/09\/WhatsApp-Image-2022-09-17-at-18.49.45.jpeg",1496,1496,false],"thumbnail":["https:\/\/litcult.net.br\/luizalobo\/wp-content\/uploads\/2022\/09\/WhatsApp-Image-2022-09-17-at-18.49.45-150x150.jpeg",150,150,true],"medium":["https:\/\/litcult.net.br\/luizalobo\/wp-content\/uploads\/2022\/09\/WhatsApp-Image-2022-09-17-at-18.49.45-300x300.jpeg",300,300,true],"medium_large":["https:\/\/litcult.net.br\/luizalobo\/wp-content\/uploads\/2022\/09\/WhatsApp-Image-2022-09-17-at-18.49.45-768x768.jpeg",768,768,true],"large":["https:\/\/litcult.net.br\/luizalobo\/wp-content\/uploads\/2022\/09\/WhatsApp-Image-2022-09-17-at-18.49.45-1024x1024.jpeg",1024,1024,true],"1536x1536":["https:\/\/litcult.net.br\/luizalobo\/wp-content\/uploads\/2022\/09\/WhatsApp-Image-2022-09-17-at-18.49.45.jpeg",1496,1496,false],"2048x2048":["https:\/\/litcult.net.br\/luizalobo\/wp-content\/uploads\/2022\/09\/WhatsApp-Image-2022-09-17-at-18.49.45.jpeg",1496,1496,false],"ultp_layout_landscape_large":["https:\/\/litcult.net.br\/luizalobo\/wp-content\/uploads\/2022\/09\/WhatsApp-Image-2022-09-17-at-18.49.45-1200x800.jpeg",1200,800,true],"ultp_layout_landscape":["https:\/\/litcult.net.br\/luizalobo\/wp-content\/uploads\/2022\/09\/WhatsApp-Image-2022-09-17-at-18.49.45-870x570.jpeg",870,570,true],"ultp_layout_portrait":["https:\/\/litcult.net.br\/luizalobo\/wp-content\/uploads\/2022\/09\/WhatsApp-Image-2022-09-17-at-18.49.45-600x900.jpeg",600,900,true],"ultp_layout_square":["https:\/\/litcult.net.br\/luizalobo\/wp-content\/uploads\/2022\/09\/WhatsApp-Image-2022-09-17-at-18.49.45-600x600.jpeg",600,600,true]},"uagb_author_info":{"display_name":"Ivan Aguilar","author_link":"https:\/\/litcult.net.br\/luizalobo\/author\/ivan\/"},"uagb_comment_info":0,"uagb_excerpt":"F\u00e1brica de mentiras: do Vale do Caf\u00e9 ao Arco do Triunfo (Rio de Janeiro, 7Letras, 2022), \u00e9 sobre a vida da milion\u00e1ria Eufr\u00e1sia Teixeira e sua fam\u00edlia no cen\u00e1rio de Vassouras e Paris. Terras proibidas (Rio de Janeiro, Batel, 2022), versa sobre o ouro, o Vale do Caf\u00e9, seus bar\u00f5es e escravizados e a vida&hellip;","coauthors":[],"tax_additional":{"categories":{"linked":["<a href=\"https:\/\/litcult.net.br\/luizalobo\/category\/noticias\/\" class=\"advgb-post-tax-term\">Not\u00edcias<\/a>"],"unlinked":["<span class=\"advgb-post-tax-term\">Not\u00edcias<\/span>"]}},"comment_count":"0","relative_dates":{"created":"Publicado 4 anos atr\u00e1s","modified":"Atualizado 4 anos atr\u00e1s"},"absolute_dates":{"created":"Publicado em 18\/09\/2022","modified":"Atualizado em 18\/09\/2022"},"absolute_dates_time":{"created":"Publicado em 18\/09\/2022 09:54","modified":"Atualizado em 18\/09\/2022 09:54"},"featured_img_caption":"","series_order":"","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/litcult.net.br\/luizalobo\/wp-json\/wp\/v2\/posts\/373","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/litcult.net.br\/luizalobo\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/litcult.net.br\/luizalobo\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/litcult.net.br\/luizalobo\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/litcult.net.br\/luizalobo\/wp-json\/wp\/v2\/comments?post=373"}],"version-history":[{"count":1,"href":"https:\/\/litcult.net.br\/luizalobo\/wp-json\/wp\/v2\/posts\/373\/revisions"}],"predecessor-version":[{"id":375,"href":"https:\/\/litcult.net.br\/luizalobo\/wp-json\/wp\/v2\/posts\/373\/revisions\/375"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/litcult.net.br\/luizalobo\/wp-json\/wp\/v2\/media\/374"}],"wp:attachment":[{"href":"https:\/\/litcult.net.br\/luizalobo\/wp-json\/wp\/v2\/media?parent=373"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/litcult.net.br\/luizalobo\/wp-json\/wp\/v2\/categories?post=373"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/litcult.net.br\/luizalobo\/wp-json\/wp\/v2\/tags?post=373"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}